Gérard B ougeret (U niversité de Tours) Tempérament mésotonique et représentation Rudolf Rasch (U niversiteit U trecht) Simon Stevin and the Calculation of Equal Temperamentĭ aniele Sabaino (U niversité di Pavia) Il Rinascimento dopo il Rinascimento: scientia musicæ e musica scientia nella Musica di Juan Carmuel Lobkowitz ♦ 321 Palisca (Yale University) Applications of Mathematic and Geometry in Galilei's Dialogo of 1581 Zarlino e la crisi del fondamento numerico della musica ♦ 185Ĭ laude V. Guido M am bella (U niversité di Bologna) Corpo sonoro, geometria e temperamenti. Moyer (University o f Pennsylvania)īrenno Boccadoro (U niversité de Genève) Le passioni e i numeri Music, Mathematics, and Æsthetics: the Case of the Visual Arts in the Renaissanceīrigitte Van W ym eersch (FNRS - U niversité c atholique d e Louvain) Qu'entend-on par « nombre sourd » ?Īnn E. Oscar Joäo A bdounur (Max Planck Institut - U niversidade d e Säo Paulo) Ratios and Music in the Late Middle Ages: a Preliminary Surveyĭorit Tanay & Raz Chen-M orris (Tel Aviv U niversity - Bar Ilan University) Music, Mathematics, and the Rejection of Pansemioticism in the Renaissance Philippe Vendrix (CESR/CNRS) Music and Model in the Renaissance M usic a n d M a th e m a tic s in L a t e M e d i e v a l a n d E a rly M o d e r n E u ro p e No part o f this publication may be reproduced, dored in a retrieval sydem, or transmitted, in any form or by any means, eleftronic, mechanical, photocopying, recording, or otherwise, without the prior permission o f the publisher. © 2008, Brepols Publishers n.v., Turnhout, Belgium. M usic a n d M a th e m a tic s in L a t e M e d i e v a l a n d E a rly M o d e r n E u ro p e Edited byĬ e n t r e d 'É tu d e s S u p é r ie u r e s d e la R e n a is s a n c e U n iv e r s it é F ra n ç o is R a b e la is d e T o u rs Colleftion « Épitome musical » dirigée par Marie-Alexis Colin & Philippe VendrixĬonception graphique et mise en page : Vincent Besson - CESR
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